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Four Steps To Tripling Your Energy
LifeWriting Articles
Written by Steven Barnes   
Tuesday, 07 September 2010 09:38

Tired? Tired of being tired? You aren't alone. There are few human qualities more highly sought than energy. It determines our ability to enjoy life, to attract mates, to finish projects, to protect our families, to shape our bodies effectively, and so much more.

While there are endless specific suggestions about herbs, exercises, meditations, supplements, rest patterns and so forth that I could mention, the most important and over-arching components are relatively simple, and available to anyone with the willingness to begin.

Basically, your energy level will be controlled

by one psychological and three physical factors.

A) Fitness. There are a variety of different things that contribute to the quality called "fitness," but a few of them are specific to energy level.

1) Cardio-vascular fitness. A dead minimum of twenty minutes three times a week, just to stay in the game. If you want to create a swift, powerful change, try forty minutes four times a week.

Walking is sufficiently intense, if you stay in the "aerobic zone" which can be described as a level of exertion where you can't sing, but you can still talk!

2) Body-mass index. Unneeded weight is like a sack of wet cement strapped to your back. It eats up energy like crazy. Regardless of what anyone says or implies, there is only one basic way to lose

fat: to change the ratio of calories consumed to calories burned. In general, this requires discipline on BOTH ends. Fat loss is a two-headed snake. If you diet but don't exercise, your metabolism can slow down to a crawl, denying you success. And if you exercise but don't eat sensibly, well, a pound of fat has about 3500 calories. An hour of running only burns about 350 calories. Do the math.

3) Flexibility. Often overlooked in the search for energy, flexibility is a measurement of tension in the body. A stiff body is like a car with its brakes on. Think how much gas your car would waste!!

That gas is your energy, when you carry unnecessary tension. Most stretching activities are less a matter of "lengthening" muscles, tendons, or ligaments than learning how to communicate with your body, to learn how to breathe into tension.

4) Strength. Contrary to popular belief, strength is more in the mind than the body. It is a matter of leverage, concentration, and controlled excitation even more than it is the "size" of the muscles involved. On a physiological level, it is a matter of the percentage of your muscle fibers you can

recruit at a given moment. Weight training, or

body-weight exercises like Hindu Pushups and Hindu Squats, are great ways to increase strength, which makes physical tasks much easier and less fatiguing.

B)Controlling food intake. A critical factor. Note that I didn't say "diet." At this point, we all pretty much understand that diets don't workthat any eating plan intended to have long term benefits must represent a change in lifestyle. A few pointers:1) 3:2:1 ratio of fresh fruits and vegetables to complex carbohydrates to lean proteins. Note that this ratio works for people who are ACTIVEthey need the carbs. If you are trying to lose fat, or are relatively inactive, try reversing the ratio of protein and carbs.

2) Drink more water. The classic recommendation of eight glasses a day is debated, but the truth is that a lot of hunger and fatigue is actually dehydration in disguise. Note: this means water, not beer, soda, or even milk, all of which contain various nutrients or chemicals which actually require water to process through the body. In other words, they use up as much water as they give you.

3) Eat six small meals a day. This helps keep your bloodsugar levels even, which will keep your energy from crashing in the afternoon.

4) Eat today for how you want to FEEL tomorrow.

Not for emotional reasons, or just for taste.

C)Rest. As a culture, we aren't getting enough sleep.

The human body seems to need 7-9 hours of sleep a night, and if you're getting less or more than this, you may be having stress reactions, and compromising your health as a result.

1)Find out what your ideal sleep pattern is, and stick to it.

2)Try to get to sleep before midnight. Folk wisdom says that every hour of sleep before midnight is worth two hours after.

3)Take naps during the day. A quick power nap for 10-20 minutes can renew your energy like magic.

4)Make your bedroom a place of rest, healing and recreation. Keep your stress in another room of the house. Your sleeping place should be a womb of comfort and pleasure, specifically designed to lull you into the depths of dreamland.

D) Focus. In some ways, the most important tool for increasing energy. You need to know EXACTLY what you will do with the energy when you have it.

This means written goals, clearly delineated. It means being task-oriented, believing that if you can do A,B, and C, there will be pleasure and satisfaction on the other end. I know people who are AFRAID to have more energy, because they think their kids, mates, or boss will just exploit them further. You have to have PERMISSION to be energetic, alive, and sensually involved with life.

But if you will give yourself this permission, if on a daily basis you will move your body, eat responsibly, rest intelligently and write out your goals and steps to achieving them, you will begin to take control of your body/mind's energy-generation apparatus, and you'll be shocked at the energy that will flood your life. It is your birthright. Own it!

##

Lifewriting™ is the high-performance system for writers.

Learn more at www.lifewriting.biz

##

The Five Minute Miracle ™ is the world's most efficient exercise system. Learn more at:
www.lifewrite.com

 

 

Copyright 2005, Steven Barnes and

Dark Dream Productions.

This email is protected by copyright, 2005, with Steven Barnes and Dark Dream Productions, All rights reserved.

Reproduction of any portion of this email is strictly prohibited without the express written consent of Steven Barnes and/or Dark Dream Productions.

Steven Barnes

Dark Dream Productions

964 East Badillo St #227

Covina, California 91724

This e-mail address is being protected from spambots. You need JavaScript enabled to view it

Dark Dream

 

906 Ashworth Pl

Glendora, CA

91741

US

 
David Farland’s Daily Kick in the Pants—How E-books Will Destroy the World
David Farland
Written by David Farland   
Friday, 27 August 2010 21:50
Okay, so the headline is a little over the top, but I want to give you fair warninge-books are not books, or at least they won’t be for long.

You heard it about Twilight. You heard it about Eregon. You’ve gone to movies a hundred times and seen a movie based upon a book. Afterward, as you leave, you or someone nearby complains, "It wasn’t as good as the book." The sentiment is so cliché, in fact, that in the movie Scott Pilgrim vs. the World, one character complains, "the movie was nowhere near as good as the comic."

In the past few weeks, I’ve heard a lot of talk about "enhanced multimedia content" for e-books. It’s talked about as a good thing. On the plus side, I as an author will be able to develop e-books that contain things like author interviews where the readers will get to see and hear me if they desire, or add color maps, character sketches, and other cool features. At the end of a novel, I might create a cool ad clip for some of my other novels, related video games. It opens the novel to a lot of interesting possibilities.

But some things that will be done won’t be cool. Can you imagine reading a romance novel, and when you flip to page 3, up pops a video ad for breast enhancements? And when you get to page 5, in comes a commercial for Viagra? You won’t be able to read on until the commercial finishes. And on page 7, maybe Jet Blue will advertise ads for romantic getaways. . . .

You get the idea, and it’s coming soon to e-books everywhere. For many entertainment companies, a movie, television show, magazine or a book is nothing more than a forum for advertisements. It is a medium for delivering ads, and the company will bombard readers with ads until the readers just say, "Ah, to hell with it."

Let me give you an example. Years ago, I worked for a company called Novell. Our company tied together computer networks so that software could all run off of one server, saving the customers millions in hardware. We had three little magazines for techies that did quite well. The company magazines made a couple of million dollars per year, and restricted ads to only those that were intimately tied to the industry.

However, the head of Novell decided that "we’re not a publisher," and so he sold the magazines to a major publisher. Instantly, the pages became cluttered with ads for cigars, alcohol, cigarettes, and other crap. The articles were then chopped up so that ads could be spliced between them. You had to go from page 3 to 24, just so that you could see the tequila ad. Customers complained. Reading an article became so convoluted and circuitous that I quit reading altogether. Within months the circulation plummeted. Within a couple of years, as I recall, the magazines were all out of business.

I began watching and noticed that this publisher had a nice track record of buying magazines, turning them into forums for advertising, destroying the magazines, and then moving on.

Guess what? This same major publisher will be adding "enhanced content" to your e-books soon
or someone like them will be doing it. The makers of the Kindle, the iPad, and so on have all filed patents on the processes that will allow them to do so. In fact, it is suspected that the iAd will be far more profitable than the iPad.

The power of the medium of the novel over movies and television is that a novel can be far more immersive. Much of what I’ve written about in these articles has to do with giving tips on how to engross your reader, so that you control their thoughts and emotions from moment to moment and thus create a compelling and overwhelming experience.

As advertisers screw with your novel, they will undoubtedly look for those most engrossing moments so that they can pop in an advertisement. And the readers who are trying to enjoy the book will get so pissed, many of them will stop reading.

Yesterday, I read an article in which Ray Bradbury reported that he is refusing to sell the rights to his work in e-books. They made Ray sound like an eccentric old kook. Ten years from now, I suspect that people will look back and realize that he is a visionary.

For more on this topic, go to -http://www.readwriteweb.com/archives/advertisements_coming_soon_to_ebooks.php

###

 
It Was Good Enough For Shakespeare!
LifeWriting Articles
Written by Steven Barnes   
Friday, 27 August 2010 21:48

One of the core conflicts for creative artists of all kinds is the tug-of-war between art and commerce.

Frankly, an artist needs to make money, and it is preferable to make it from his craft.

A writer who must work a full-time job to support himself will struggle to find the time to work, and often eventually gives it up altogether. On the other hand, being able to write on any project at all can polish valuable skills, and teach one the rules of the publishing industry.

On the other hand, I’ve met writers who were clearly working on projects, or toiling away at a career, that was burning out their souls. I remember meeting one such writer. His business card read "freelance hack and literary mechanic." Sadly, but not entirely unexpectedly, he was dead of alcoholism within a year.

How to avoid such burnout? Well, in my own career, in addition writing the books I cared about the most, I’ve written Batman comic books, a Star Trek novel, and a Star Wars tie-in. In my television career, in addition to writing for "Outer Limits" and "The Twilight Zone," I also wrote four episodes of

"Baywatch"(!)

And never for a moment did I feel that I was selling myself out. Let’s get something straight:

Shakespeare wrote for money. One can keep a careful eye on the bank account, and still reach the heights of craft. But again, how?

In my own case, the answer is fairly simple. Envision the thought process like this: I draw two circles. In the first, is everything I would like to write (and there are always dozens of projects in the mental hopper!). In the second is everything someone else is willing to pay me for. Where the two circles overlap, I write. In other words, are there projects I’d love to write, but can’t get paid for? You bet, and I generally don’t write them unless they are quite short. And there are projects that producers or publishers might want me to do, but don’t touch my heart at all. Having learned through experience that there are limits to my creative flexibility, I turn those down.

But from time to time, an opportunity arises that is in the no-man’s-land between the circles. There is money, but the project isn’t exactly something you have ever considered writing. What then?

Then, you ask yourself if the project is something that you could be proud of. If you would read it, or respect someone who did. For instance, when my agent called and said that the producers of "Baywatch" wanted to talk to me, I had the office send over six hours of video on the show. I sat on the living room couch and watched them with my daughter, who was about six at the time. After a few episodes, I asked her what she thought.

She liked it. I asked why. She said: "Because it’s about nice people working hard to make the beach safe for us." I thought about it, and then replied, "you know? There are worse things than that in this world, by a long shot." And decided to try writing for it.

Every show, every project has its limitations.

You must use certain characters, must get them into certain kinds of situations, and must avoid certain topics. That can be restrictive, but you can also decide to take it as a challenge. After all, you could give Fred Astaire a stage of any kind, and props of any kind, and he would find a way to create dance. Should you be committed to a lesser level of skill and vision? No.

You must find ways to amuse yourself while

writing, to stretch your skills by trying something you’ve never done before, by empathizing with a younger audience if necessarynever ever writing "down" to your audience. That is the death of art. But if you can be truly flexible, you’ll find that more doors are open to you, more opportunities arise, that brass ring comes around more often. A writer ready to leap at any opportunity to show his skill, and who finds it easy to fall in love with about a project will often out-perform a brittle "genius" who must have everything exactly his way in order to write.

And if that approach is good enough for the Bard, it’s good enough for me.

Dark Dream

 

906 Ashworth Pl

Glendora, CA

91741

US

 
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